EATING FIRE

导演 Director

诗歌剧场作品《吃火》选用的文本均出自加拿大著名作家玛格丽特•阿特伍德同名诗集中的诗作，这些文本（《芦笋》、《苏珊娜•穆迪日志》、《没有手的女孩》、《被吊到半死的玛丽》、《嫁给绞刑吏》、《吃火》等）被编织到一起，利用表演场地内外不同空间的转换、出演，演绎为一出当代版女奥德修斯的故事。与前作不同，《吃火》尝试加强叙事，诗歌的文本串联起了一出完整的女性故事。

《吃火》是一部穿越了时间的女性史诗，从17世纪被污化的女巫，到18世纪的加拿大女拓荒者，直至当代女性的挣扎与突破。故事在持续，女性的精神探险同样在持续。
 

Eating Fire bases on the selected poems written by the Canadian poet Margaret Atwood. These poems were weaving together, made a women's version of Odysseus. Different from my previous work, Eating Fire tries to strengthen the narrative of the story, a complete story is strung together in different poetic texts.
It is a time-travel female epic, from the false witches of the 17th century to the Canadian pioneers of the 18th century, up to modern times, women in spiritual distress. The story continues, as does the woman's spiritual adventure.

演出情况：

2015年南锣鼓巷国际戏剧节：
2015.7.11-7.12 蓬蒿剧场
2015.7.5 单向空间•花家地店

Performance：

2015 Beijing Nanluoguxiang Performing Arts Festival (2015.7.11-7.12, Beijing)

2015 Beijing OWSPACE (Premiere, 2015.7.5, Beijing)